Tag Archives: new avengers

Review: Daredevil #11 – Omega Effect conclusion!

Daredevil #11
Writer:  Mark Waid
Art:  Marco Checchetto, Matt Hollingsworth [Colorist]

Mark Waid wraps up his Avenging Spider-Man/Punisher/Daredevil “Omega Effect” crossover with Greg Rucka in Daredevil #11 with all of the elements that made the first two parts of the story so damn good intact.

Daredevil, having the Omega Drive (a nigh-indestructible drive made from unstable molecules and possessing intel on all of the Marvel Universe’s “Megacrime” cartels), teamed up with Spider-Man and the two formed an uneasy alliance with the Punisher and his ally, Rachel Cole-Alves.  The goal of this alliance was simple–they would all lure out members of A.I.M., Hyrdra, Agence Byzantine, the Secret Empire, and the Exchange so that they could destroy the Omega Drive in front of them.  Also, Punisher and Alves had to promise to use rubber bullets and not kill anyone because killing isn’t really Spider-Man or Daredevil’s thing.

Unfortunately, things didn’t go according to plan.  Alves, a former Marine whose husband was murdered by the Exchange on her wedding day, double-crossed Daredevil as he was about to destroy the drive–giving him a rubber bullet to the back and escaping with the drive herself.  With Punisher covering their exit, Spider-Man and Daredevil split up to find Alves and retrieve the drive.

Waid does a stellar job of presenting the story from Daredevil’s perspective (it is DD’s book, after all), exploring how Matt Murdock feels that he failed the Punisher by never being able to pull him back from the proverbial ledge before he went all the way over.  Feeling he can do the same for Alves, we’ve seen Murdock try to talk sense into her once before in this crossover (during Rucka’s Punisher #10).  Whether or not he gets through in this issue remains to be seen.

Marco Checchetto and Matt Hollingsworth continue to deliver the goods artistically.  There really isn’t much I can say about it that I didn’t already touch on in my reviews for Avenging Spider-Man #6 and Punisher #10, so check those out, too.

What are you still reading this review for?  GO PICK UP THIS CROSSOVER!

STORY:  10/10
ART:  10/10 

Avengers Vs. X-Men #2 – Cyclops has lost his mind

Avengers Vs. X-Men #2
Writer:  Jason Aaron
Art:  John Romita Jr. [Pencils], Scott Hanna [Inks], Laura Martin [Colors]

[We’ve tried our best to be as spoiler-free as possible here, but nobody’s perfect.  Read at your own risk.]

Defying Captain America’s request to take Hope Summers into custody last issue, Cyclops fired the first shot in the X-Men’s war on the Avengers against the Star-Spangled Hero himself.

As the Avengers take Utopia’s beach, Emma Frost moves Hope inside–assuming the girl, with more questions than answers regarding the Phoenix and what its return means regarding her, will stay put.  In short order, the most epic battle in comics since the end of 2008’s Secret Invasion or 2006’s Civil War commences.

Jason Aaron sets up several of the fights to take place in the accompanying Avengers Vs. X-Men: Versus mini-series beginning next week, with several moments in this issue hinting at the outcomes of those fights.  He brings Quicksilver into the fray, revealing where the son of Magneto stands in the fight (HINT:  There isn’t going to be a reunion of the original Brotherhood of Evil Mutants anytime soon), and teases the entrance of Magneto’s daughter, the Scarlet Witch, with no hint of who she’ll side with.

The highlight of this issue is arguably Aaron’s insights into the match-ups, like calling Emma Frost’s organic diamond form punching Tony Stark’s multi-billion dollar armor the “most expensive punch in history,” playing up the marital dramatics in a fight between Storm and the Black Panther, or pointing out that Wolverine is fighting against an island of characters he once called family.

This initial battle is all for naught, but it does skirt on the idea that Cyclops might potentially become a villain.  Much of what he says in this issue sounds like things reformed X-Men über-villain Magneto would say, and he does have his own Juggernaut now in Colossus.  With 10 issues to go, the only things that are certain are that several characters are bound to switch sides, Civil War-style, (Hell, it’s even teased in the Cap vs. Wolverine cover for AVX #3) and that things will spiral further out of control.

At this point, my biggest hope (aside from wanting a Cyclops villain turn) is that we at least get a Marvel Ultimate Alliance 3 video game out of this in a year or two.

– Roger Riddell

Follow me on Twitter @RRiddell3 

Mike DeVivo’s take forthcoming

Alright Roger Ive Assembled here!

So, two issues into Avengers Vs. X-Men and I can say I’m underwhelmed. What I thought was largely going to be a collaborative effort in bringing two different teams and their vantage points to light has thus far turned into “Cyclops is crazy and the Avengers aren’t.” I don’t buy the angle that Cyclops is losing his mind, or that he’s taking things too far. It paints every X-Man and woman as blind sheep fighting for the cause of a crazy man. Maybe I’m rooting for the little guys, in which case i feel the X-Men are warranted to protect one of their own. The characterization feels off, especially with Cyclops and Wolverine. Again, maybe it’s because I’m in Cyclops’ camp here, but I can’t help but feel like this story feels off.

I do love John Romita Jr.’s work in this series so far. His facial work with females has improved very much. His pencils give all of the energy and intensity you’d expect between a battle of the two most recognizable factions in Marvel.  Aaron’s script does provide great narration as Avengers and X-Men beat the hell out of each other. Also, kudos for him creating the Magnetic Fastball Special. Those moments are what I’ve enjoyed about this series so far. He also gave Emma the best line in this issue reflecting the tone I think most X-Men have towards their Avenger counterparts. After Iron Man refers to Hope as “the girl,” Emma responds by telling him that the girl’s name is Hope and that they never requested help in the first place.

We get quick glimpses of Quicksilver and Wanda ,with Quicksilver rushing to join his Avengers team and Wanda walking away from her journal not joining the fight just yet. The journal by the way is called “Wanda’s Dream Journal” (slap forehead with hand) there are more than a few of these moments in this issue that make you cringe. As I said in my opinion this book hasn’t delivered the goods just yet with the story. It’s a pain to see characters like Quicksilver, who was actually  insane (anyone remember House of M?), fighting along side Avenger’s while Cyclops is characterized as a mad man losing touch with his reality.

I’m hoping next issue improves a bit and makes the reason for this fight a bit less one-sided. With the cover to issue #3 showing Cap fighting Wolverine, it will be interesting to see why he defends the X-Men after dropping down and beating up the same students he defended during Schism.  As I said, as a fight book this is fun. As an event that is supposed to change Marvel’s landscape for the next year…not so much.

– Mike DeVivo

Follow me on Twitter @pandasandrobots


New Avengers TV Spot: Hulk Smashes lots of Puny Aliens

Just saw this TV spot online today and had to post it. The trailer gives us our best look yet at Loki’s Alien Army and I’m not convinced yet that they are Skrulls. I am convinced though that Joss Whedon may be right when he says this will be the best Hulk movie we have seen as Hulk goes off at the end of this trailer. This movie is going to rule in so many ways my head may explode.

Marvel Studios presents in association with Paramount Pictures “Marvel’s The Avengers”–the Super Hero team up of a lifetime, featuring iconic Marvel Super Heroes Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow. When an unexpected enemy emerges that threatens global safety and security, Nick Fury, Director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins. Starring Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Samuel L. Jackson, and directed by Joss Whedon,

Follow Mike DeVivo on Twitter @pandasandrobots

Is Captain Marvel back? Avengers VS. X-Men covers

Marvel Unveils New AVENGERS VS. X-MEN Covers!

The war to save the Marvel Universe in continues this May as the Avengers go head to head against the X-Men while the all-powerful Phoenix Force hurdles towards Earth!

You’ve heard It’s Coming—and this April The War Is Here in Avengers VS X-Men! All your favorite super heroes enter—and only one team will emerge victorious!

Which team will reign supreme? Join the conversation on Twitter with #AvX!

For more on Avengers VS X-Men, please visit http://avx.marvel.com


Written by JASON AARON
Pencils & Cover by CHRIS BACHALO

Written by ED BRUBAKER
Pencils by JOHN ROMITA JR.
Variant Cover by SARA PICHELLI

Review: Avenging Spider-Man #1

Avenging Spider-Man #1
Writer: Zeb Wells
Art: Joe Madureira
Color Art:  Ferran Daniel

Avenging Spider-Man is a book done in the tradition of Marvel’s classic Team-Up books, with the idea being that each story arc teams Spidey with one of his Avengers teammates (hence the title) or another Marvel character of equal or lesser renown.

It might seem like a strange idea to give Spider-Man another book considering he already has Amazing Spider-Man, is a member of TWO Avengers teams (Avengers and New Avengers), and — at least for now — remains a member of the Future Foundation (i.e. Fantastic Four, or FF).  Ultimately, though, if you’re going to do a team-up book, it probably makes sense to have it anchored by your company’s flagship character.  As the relatively short-lived Deadpool Team-Up showed, maybe a wise-cracking-but-schizophrenic, un-killable assassin isn’t the way to go for a book that has a potentially broader appeal.

The first storyline in Avenging finds Spider-Man teaming up with the Red Hulk following a humorous debate between the Avengers regarding who was going to give ol’ webs a lift back to New York City.  Has anyone else noticed that the other Avengers don’t seem to particularly care that Spidey’s on the team?

Anyways, for those who don’t know, the green Hulk isn’t the only Hulk in existence.  His old enemy General “Thunderbolt” Ross became the Red Hulk at some point a while back.  After spending some time continuing to be a villain, he eventually decided he wanted to redeem himself and has been a part of Avengers since around this time last year.  He’s still a deadly serious guy, though, which makes him the perfect foil for Spidey’s wisecracks in this issue.

Upon arriving back in New York (Hulk jumps them there), the two heroes find themselves in the midst of an attack by the Mole Man’s moloids — and Hulk finds himself on the receiving end of a Kool-Aid joke that he doesn’t get.  The moloids kidnap J. Jonah Jameson after summoning a giant creature to keep Spidey and Hulk busy, and we find out that all is not well in Subterranea (the underground kingdom of the Mole Man).

This is a great first issue overall.  I’ve felt Zeb Wells has a good handle on Spider-Man going back to the rotating “Spidey Brain Trust” writing team that existed a few years ago during Amazing Spider-Man‘s thrice-monthly scheduling.  There’s some great banter in here between Spidey and Hulk, and Joe Medureira and Ferran Daniel provide absolutely beautiful art that definitely fits the writing’s playful, cartoonish tone.

There are, however, a few things that stick out to me continuity wise that pull me out of the story.  I’m not sure when exactly this story is supposed to take place, but Thor died during Fear Itself, so this has to take place before then.  The Mole Man was also still King of Subterranea in the last FF storyline, which didn’t hint that he had been overthrown at any point in time.  So when exactly does this story take place?

I know the argument against that is, “It’s a comic book!  Don’t take it so seriously!”  The same people that argue that point, though, are the ones who in the next breath will speak deadly serious about their favorite book.  Ultimately, I understand that this story was probably written prior to either of the other two I mentioned, but it would be nice if there were some sort of note indicating where in continuity this happens.

Story:  7/10 (Down from 8 because continuity issues pulled me out of the story)
Art:  9/10 

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