Tag Archives: Scott Summers

A Vs X “Round 6” No More Avengers?

Written By: Jonathan Hickman

Art By: Oliver Coipel

Six issues into A Vs X and the bigger picture is starting to come into focus. I’ve been admittedly hard on this “Event” book since its started. The characterization of Scott Summers as character has been erratic and off-putting enough to make the rest of the story fall flat under its lofty ambitions.

After Iron Mans failure to contain the Phoenix Force last issue ended with the creation of “The Phoenix Five”. Ten Days have passed and The Phoenix Five have done a lot to fix different parts of the Country. Charles Xavier finally accepts an invite from Magneto and Cyclops and this is yet another attempt at beating us over the head with the notion that Cyclops is losing his touch with reality.

Cyclops credits all of this work to be done in honor of Charles and then proceeds to explain to Hope that she didn’t deserve the Phoenix Force after giving it up. He then tells her she isn’t a prisoner and can leave when she wants.Again it all seems forced and while he dialogue is good and it creates a layer of tension and creates a pretty big threat it doesn’t feel fully realized and polished.

There in lies the problem. A few pages later and The Avengers have decided that The X Men must be held accountable for their actions regardless of their intent. I understand that Marvel wants to ground things in reality but must every big event have the President involved?  The Avengers are presented as nothing more than pawns of the President in this issue and it doesn’t give a compelling argument as to who your more interested in seeing “win”. Once again Tony Stark creates some cool suits for The Avengers to use and develop a plan. The Avengers decide that Hope is the key to figuring out how to stop the Phoenix and go on a rescue mission to kidnap Hope off of Utopia.

I will say I was very happy to see Oliver Coipel’s pencils this issue. He’s always been able to draw epic action scenes and I actually thought the redesigns of The Phoenix Five looked far cooler this issue than what Romita Jr. had created. I’m hoping he continues to draw the next few issues. Say what you will about how odd the story and plot of this issue were at least it’s pretty.

With a conveniently placed cameo the story progresses in a way that drives Cyclops even further in to the realm of Crazyville. I know that some people may enjoy this series but for me it still continues to show us that good Event Books are few and far between. The story is full of too many characters and with more being added each issue with little to no character development how can we truly care about whats happening in the series at all? I’m really hoping for some last-minute magic here other wise I have to say this is one of the bigger disappointments in recent memory for something that had so much potential coming out of the gate.

Review Score: 5/10

Mike DeVivo

Follow Me On Twitter @pandasandrobots

 

Review: Wolverine and the X-Men #10 – Cyclops Comes Calling

Wolverine and the X-Men #10
Writer: Jason Aaron
Art: Chris Bachalo [Penciler/Colorist]; Tim Townsend, Jaime Mendoza, Al Vey, and Victor Olazaba [Inkers]

The events of Avengers Vs. X-Men had to hit home at the Jean Grey School for Higher Learning sooner or later, and when Cyclops comes calling, boy do they ever.

Taking place between Avengers Vs. X-Men #2 and 3, Wolverine and the X-Men #10 provides some additional insight into what happened between the storming of Utopia and Captain America organizing teams of Avengers to search the planet for Hope Summers (and ultimately betraying Wolverine by throwing him out of a Quinjet).

To sum it up, Cyclops, Emma Frost, and Magik show up at the Jean Grey School and insult everyone there so they can recruit additional X-Men to their side.

Perhaps more interesting than the main plot, Genesis finally figures out who Apocalypse is (but remains unaware that he is a clone/reincarnation of the villain) and Angel finally realizes that he isn’t an angel, but a mutant who used to be known as Warren Worthington.  Genesis and Angel are also quickly forming a bond, which will be interesting to see play out in the months to come considering Angel was once Apocalypse’s Horseman of Death and replacement prior to losing his memory and gaining his new abilities.

With this issue, Jason Aaron has crafted a tie-in issue that doesn’t exist solely as an extension of the event it’s a part of and continues to develop stand-alone plot threads.  Additionally, some of these plot threads are likely to have an impact on the event as a whole–namely the entry of Gladiator and the Shi’ar Death Commandoes, who have dealt with the Phoenix and the X-Men before, into the fray.

Chris Bachalo’s art in this issue also transitions much more smoothly between panels, feeling much more in line with his earlier work on the book and his stellar art on the 2010 Amazing Spider-Man “Shed” arc.

This isn’t a perfect issue, but it’s still a damn fun ride.

STORY: 8/10
ART: 8/10 

Avengers Vs. X-Men #2 – Cyclops has lost his mind

Avengers Vs. X-Men #2
Writer:  Jason Aaron
Art:  John Romita Jr. [Pencils], Scott Hanna [Inks], Laura Martin [Colors]

[We’ve tried our best to be as spoiler-free as possible here, but nobody’s perfect.  Read at your own risk.]

Defying Captain America’s request to take Hope Summers into custody last issue, Cyclops fired the first shot in the X-Men’s war on the Avengers against the Star-Spangled Hero himself.

As the Avengers take Utopia’s beach, Emma Frost moves Hope inside–assuming the girl, with more questions than answers regarding the Phoenix and what its return means regarding her, will stay put.  In short order, the most epic battle in comics since the end of 2008’s Secret Invasion or 2006’s Civil War commences.

Jason Aaron sets up several of the fights to take place in the accompanying Avengers Vs. X-Men: Versus mini-series beginning next week, with several moments in this issue hinting at the outcomes of those fights.  He brings Quicksilver into the fray, revealing where the son of Magneto stands in the fight (HINT:  There isn’t going to be a reunion of the original Brotherhood of Evil Mutants anytime soon), and teases the entrance of Magneto’s daughter, the Scarlet Witch, with no hint of who she’ll side with.

The highlight of this issue is arguably Aaron’s insights into the match-ups, like calling Emma Frost’s organic diamond form punching Tony Stark’s multi-billion dollar armor the “most expensive punch in history,” playing up the marital dramatics in a fight between Storm and the Black Panther, or pointing out that Wolverine is fighting against an island of characters he once called family.

This initial battle is all for naught, but it does skirt on the idea that Cyclops might potentially become a villain.  Much of what he says in this issue sounds like things reformed X-Men über-villain Magneto would say, and he does have his own Juggernaut now in Colossus.  With 10 issues to go, the only things that are certain are that several characters are bound to switch sides, Civil War-style, (Hell, it’s even teased in the Cap vs. Wolverine cover for AVX #3) and that things will spiral further out of control.

At this point, my biggest hope (aside from wanting a Cyclops villain turn) is that we at least get a Marvel Ultimate Alliance 3 video game out of this in a year or two.

– Roger Riddell

Follow me on Twitter @RRiddell3 

Mike DeVivo’s take forthcoming

Alright Roger Ive Assembled here!

So, two issues into Avengers Vs. X-Men and I can say I’m underwhelmed. What I thought was largely going to be a collaborative effort in bringing two different teams and their vantage points to light has thus far turned into “Cyclops is crazy and the Avengers aren’t.” I don’t buy the angle that Cyclops is losing his mind, or that he’s taking things too far. It paints every X-Man and woman as blind sheep fighting for the cause of a crazy man. Maybe I’m rooting for the little guys, in which case i feel the X-Men are warranted to protect one of their own. The characterization feels off, especially with Cyclops and Wolverine. Again, maybe it’s because I’m in Cyclops’ camp here, but I can’t help but feel like this story feels off.

I do love John Romita Jr.’s work in this series so far. His facial work with females has improved very much. His pencils give all of the energy and intensity you’d expect between a battle of the two most recognizable factions in Marvel.  Aaron’s script does provide great narration as Avengers and X-Men beat the hell out of each other. Also, kudos for him creating the Magnetic Fastball Special. Those moments are what I’ve enjoyed about this series so far. He also gave Emma the best line in this issue reflecting the tone I think most X-Men have towards their Avenger counterparts. After Iron Man refers to Hope as “the girl,” Emma responds by telling him that the girl’s name is Hope and that they never requested help in the first place.

We get quick glimpses of Quicksilver and Wanda ,with Quicksilver rushing to join his Avengers team and Wanda walking away from her journal not joining the fight just yet. The journal by the way is called “Wanda’s Dream Journal” (slap forehead with hand) there are more than a few of these moments in this issue that make you cringe. As I said in my opinion this book hasn’t delivered the goods just yet with the story. It’s a pain to see characters like Quicksilver, who was actually  insane (anyone remember House of M?), fighting along side Avenger’s while Cyclops is characterized as a mad man losing touch with his reality.

I’m hoping next issue improves a bit and makes the reason for this fight a bit less one-sided. With the cover to issue #3 showing Cap fighting Wolverine, it will be interesting to see why he defends the X-Men after dropping down and beating up the same students he defended during Schism.  As I said, as a fight book this is fun. As an event that is supposed to change Marvel’s landscape for the next year…not so much.

– Mike DeVivo

Follow me on Twitter @pandasandrobots


 

Review: Avengers Vs. X-Men #1 – ‘Nuff Said

Avengers Vs. X-Men #1
Writer:  Brian Michael Bendis
Art:  John Romita Jr. [Pencils], Scott Hanna [Inks], Laura Martin [Colors]

After what has felt like an eternity of build-up (but was really more like just over six months), the event to end all Marvel events has finally arrived on shelves–but was all of the hype worth it?

So far, it’s a toss-up.

The premise, in case you’ve been living under a rock or reading some other company’s books, is that the Phoenix is coming to Earth and has chosen the would-be-mutant-messiah Hope Summers as its host.  Hey, she looks like Jean Grey, so who else is it gonna pick, right?  Anyhow, the Phoenix is a cosmic firebird that leaves devastation in its wake on a planetary scale wherever it goes in the Universe.  It chose Jean Grey as its host once and she almost destroyed Earth, but that’s “The Dark Phoenix” saga and you can read about that elsewhere.

Avengers Vs. X-Men #1 opens with the Avengers hanging around Avengers Tower doing the sorts of things you’d expect powerful people in tights to do (but not those things, sicko!) when all of a sudden, the intergalactic superhero Nova conveniently crashlands in New York City after falling from space.  He warns the Avengers that “it’s coming,” and Iron Man deduces that he’s referring to the Phoenix.  He and Captain America then brief the President on the danger.

Meanwhile, Cyclops–who has known all along that the Phoenix was on its way back–is training Hope and trying to prepare her in the hope that she’ll be able to control its power when it does return.  This entire conflict centers around the Avengers’ belief that the Phoenix will use Hope Summers as its vessel to try to destroy the world again versus Scott’s belief that if Hope can somehow control the Phoenix’s power, then she can undo the “no more mutants” spell that Scarlet Witch decimated the mutant population with.

Scott believes that Hope is the savior of the mutant race, and he’ll stop at nothing to see her fulfill that destiny–perhaps to the point of taking things too far during his particularly ruthless training sessions.  During the time that has passed since he joined the X-Men, Magneto has pointed out that Scott is growing more and more like him than his mentor, Charles Xavier.  This trend continues here, as Magneto–watching the training from a distance–comments to Emma Frost regarding the difference between “taking it seriously” and “compulsion,” perhaps foreshadowing things to come.

Anyhow, Hope is finally pushed far enough and releases a flare of Phoenix-like energy strong enough that the Avengers notice it.  Traveling to Utopia to see about taking Hope into Avengers custody until the Phoenix situation is figured out, Captain America is greeted by a particularly hostile Cyclops.

Thus, the first shots in the battle are fired, so to speak.

Over all, this is a solid start to the event, but it is by no means perfect.  Despite being packed with action, the dialogue pulled me out of the story on a few occasions, most notably during the conversation Captain America has with Wolverine regarding the Phoenix.  Given Wolverine’s history with Jean Grey and how he felt about her, I have a hard time believing that he wouldn’t just refer to her by her first name.  Using her entire name felt a little unnatural, especially after the previous scene already established her history.

Aside from that, though, anything else I noticed here would just be nitpicking.  Bendis’ first chapter draws you in and gives new readers a primer on what’s going on, and the art here is phenomenal.  The facial expressions of everyone standing in the vicinity when the first blow of this battle is landed were perhaps the highlight of the entire issue.  Desperate times call for desperate measures, especially when your bluff is being called, and that panel alone sells that idea absolutely.

After event fatigue had fully set in following last year’s Fear Itself (which, no offense to Matt Fraction, fell short of expectations), I swore I’d never drop $3.99 an issue on another “event” book again.  Despite being highly skeptical of the idea of Avengers Vs. X-Men, I have to say I’m impressed so far and actually looking forward to where this goes from here.

STORY:  8/10
ART:  9.5/10 

Review: Deadpool #49.1 – Deadpool: The Musical!

Deadpool #49.1
Writer: Daniel Way
Art: John McCrea & Veronica Gandini [Colorist]

Sure, it would be easy for Daniel Way to write a simple recap for the latest Marvel “Point One” issue for Deadpool, but simple and easy wouldn’t be as fun as writing that recap issue AS A FREAKIN’ MUSICAL!

[For those not in the know, “Point One” is Marvel’s initiative to give new readers a good “jumping-on” point to a comic. – Voice #2]

In Deadpool #49.1, Way takes a stroll through his 50-issue run on the current volume of the Merc With A Mouth’s solo book.  From his involvement in the Skrull Invasion and his war against Norman Osborn and epic battle with Bullseye to his attempts to be a hero and interstellar adventures, all are covered here and intended to be recapped to the tune of Naughty By Nature, Tay Zonday, Britney Spears and the Misfits.

Doing the story overview this way was a fitting way to condense 50 or so issues of Deadpool into a 32-page book.  To top it all off, John McCrea’s art diverges from regular artist Salva Espin in that it has a more ’90s Deadpool feel to it.  This adds even more of a “flashback” sort of feel to the issue, even though the stories recapped here only began in 2008.

Overall, this was a fun recap and great for anyone interested in trying Deadpool or just looking for some cheesy humor.  [Cheese…I like cheese.]

On a final note, what ever happened to Hit-Monkey?  As the assistant editor of this website, I’m demanding that Marvel bring back Hit-Monkey in some way, shape or form in the next year.  He doesn’t have to be in his own series.  I know the attempt at giving him one kind of flopped.  Or something.

Just bring him back.  Now!

[Yeah!  What he said!]

STORY: 7/10  (Because, you know…It’s a recap. Nothing new to see here.)
ART: 8/10 

Review: Generatioin Hope #14 The Lights Ignite!

Generation Hope 14 Cover Arist: Ibraim Roberson

Generation Hope #14
Writer: James Asmus
Artist: Ibraim Roberson

Last issue ” Regenesis” kicked started ( a story wide change within the X-Men’s numerous titles) and I admittedly believed that Generation Hope would continue down a lack-luster path. Previous issues have had high points, dealing mainly with the series leader, Hope Summers. But coming along into Regenesis brings new writer, James Asmus and artist, Ibraim Roberson, who have a new vision for our team of struggling youngsters. 

Generation Hope’s last issue set the stage for a possible new “light” appearing in Pakistan. Last issue, the crew also lost a member, Idie who joins Wolverine at the Jean Grey Institute but we get a fan favorite addition to the cast, Pixie. Pixie has already proved herself to be a valuable member as she acts as the groups resident teleporter. Hope brought her to the team so they can effectively travel across the globe at any notice of a new mutant/light appearing. If you haven’t read past issues, new mutants developing their powers are having an incredibly difficult time grasping them and are often a danger to themselves and others. For an unknown reason, it takes nothing but a gently graze on the hand by our little messiah, Hope Summers to assimilate the lights powers to a functioning state. With that being said, the team heads out to Pakistan to confront this new mutant, only to find the light isn’t some kid in need, it’s none other than Sebastian Shaw himself.

This is an obvious story thread placed by previous writer, Kieron Gillen, as he set the stage for Sebastian Shaw near the end of Uncanny X-men vol. 1. This discovery certainly adds much-needed tension within this teams dynamic, its new writer, James Asmus, that really makes this issue shine.

My main problem with this book before Regenesis was the slow development of the new mutants consisting of Hopes team. With the past two issues, I’ve witnessed more character development than i’ve seen in 12 issues before it. Kenji makes an impressive show of his physically limitless powers, Gabriel finds that his speed power is also accelerating his age, while Laurie toughens up a bit realizing the delicate state of the mutant race and that sometimes, violence is necessary to survival. Hope, now more than ever, has all the qualities that made Cable a great leader, from father to daughter.

Artist Ibraim Roberson has certainly upped the quality of this series. I first took notice of Ibraim’s work within “Escape from the Negative Zone” and I wasn’t really impressed. He had impressively detailed character designs, but his detail to backgrounds made each panel plain and monotonous. A few months back he did a fantastic one-shot tale within Uncanny X-Men, featuring none other than Hope Summers and Wolverine. Ibraim fired on all cylinders for the one-shot and has brought his “A” game with him in these past couple issues. One fault I have that deals with the art, is  a scene during a firefight, the team is trying to locate Pixie, whose been captured by the enemy. The whole time they’re talking about where she could be, though she was drawn in the background the whole time! Gabriel, the resident speedster, runs off the panel and brings Pixie back in his arms saying that he found her at a hidden location being guarded by her captors… no, she was with you guys the whole time trying to get your attention as you looked through her as if she were invisible.

Generation Hope may not have been at the top of my pull list, but with Regenesis comes new life to the series. We can only hope (pun intended) to see the series escalate to greatness before the coming war between the Avengers and X-men. Also, this issue has one of my all time favorite cliffhangers featuring my favorite, Scott Summers. Don’t miss it.

Story: 8
Art: 8.5

Also Recommended this week:
Wolverine and the X-Men #3 – This issue closes out the first story arc, introducing loads of new interesting characters.
Batman #4 – Bruce Wayne further investigates into the mysterious “Court of Owls”
Daredevil #7 – And Matt Murdock takes a group of students on a field trip, through hell… not literally, But damn!

Follow me on Twitter @DDsuperBatnix – Happy Holidays!

[amazon_enhanced asin=”0785147195″ /][amazon_enhanced asin=”0785152423″ /][amazon_enhanced asin=”0785146431″ /][amazon_enhanced asin=”0785157050″ /]

Review: Uncanny X-Men #544 “It’s the end of the X-Men as we know it, and I feel fine!”

Uncanny X-Men 544 Cover

Uncanny X-Men #544
Writer: Kieron Gillen
Artist: Greg Land

This issue of Uncanny X-Men is one of many issues depicting the emotional anguish from the fallout of Schism. It also marks the ending of volume one for this series, which is always sad and rarely justified; especially with the fact that volume two is right around the corner: coming in November. Mr. Sinister takes a role in this issue as narrator, walking us through the events that caused the break between Cyclops and Wolverine. As this event is still very fresh in our minds, his part in this issue was a complete waste of space in a comic that should have fired on all cylinders as a tribute that was the past 48 years of X-Men history. Granted, there was a scene within showing Sinister being, “birthed”?, from a mechanical sphincter and yes, it’s hilarious looking! Sorry for that spoiler, but from here you can run wild imagining the context around such event!

But, when you judge only half an issue on its content, it seemed mildly worth it. This series’  just coming out of an epic event with Colossus becoming the Juggernaut as a sister story of Fear Itself, which I think may be the best concept coming out of said story. So congratulations there! I was ready to wind down from these “larger than life” events marvel continues to weave, so the content between Scott Summers and the few X-men they could fit in, was touching. Beast had to fly himself to Utopia to make one last personal jab at Cyclops, cause we hadn’t heard it enough from him. Beasts’ character has certainly taken a hit; since they turned him into a whiner, thank goodness for Iceman in this issue!

Writer, Kieron Gillen, really attempts to set the stage for volume two of Uncanny X-Men, cue Mr. Sinister. I think everybody’s  “Hype-O-Meter” is soaring surrounding X-Men titles, that the necessity to plant seeds in this issue truly wasn’t necessary and really hurt the underlying emotional turmoil that this “family” is breaking. Never the less, I’m extremely excited for volume two, because ever since Gillen has come on board with X-Men titles, he’s been producing great work. Generation Hope took a while to find its wings, but it’s certainly starting to pick-up.

Uncanny X-Men Sketch, By: Greg Land

Artist, Greg Land, does a good job this issue. I am a fan of Land, though I agree his anatomy of a woman is tweaked to appeal to the perv in all of us. But he conveys emotion very well and holds weight in this issue with scenes of Cyclops packing away old photos with not a word spoken. Also, i commend the way he pencils Cyclops overall. Over recent years, Scott Summers has been built up to be a  commander of a truly powerful army and you have to almost have a Steve Rogers confidence and appeal to pull such a feat off and Greg Land really paints that image of him well.

This issue is an unfortunate send off to such an influential run. Though this sure doesn’t dampen the excitement for upcoming volume two! I mean, have you seen the roster, this team is going to rule the world within Cyclops and Magnetos iron grip! X-fan’s it’s an exciting time,  so save your pennies!

Story: 6
Art: 8

Follow me on Twitter @ddsuperbatnix

[amazon_enhanced asin=”0785156682″ /] [amazon_enhanced asin=”0785156895″ /] [amazon_enhanced asin=”0785152423″ /]

Review: Wolverine #17

Wolverine #17
Writer:  Jason Aaron
Art:  Ron Garney & Jason Keith

Jason Aaron’s run thus far on the relaunched Wolverine has been nothing short of what fans of the Marvel Universe’s favorite clawed berserker want.  It gives them all the claw popping ultra-violence the character’s solo series have become known for without sacrificing a more fleshed-out approach to Logan’s personality.  After all, Wolverine is not a cold-blooded killer so much as a failed samurai, or a man with a noble idea of who he wants to be and yet doesn’t realize he is already that person.

From the stories that began in Aaron’s earlier book, Wolverine: Weapon X, to today’s Wolverine #17, everything has felt streamlined and there has been a great balance between fast-paced, energetic storytelling and deeper exposition.

Having just returned from his isolation following what happened at the hands of the Red Right Hand over the course of the first dozen or so issues, Wolverine finds himself at a crossroad at the beginning of this story.  If you’ve kept up with the events in the wider X-Men universe, there was a falling out between Wolverine and Cyclops during the Schism event.  Logan, feeling it wasn’t right that Scott expected the children on the X-roster to become warriors, ultimately decided to return to Westchester, New York to restart Xavier’s School for Gifted Youngsters (which, if you haven’t been keeping up, was destroyed during the “Messiah CompleX” crossover a few years ago).

Before he can leave San Francisco, however, Logan has a few loose ends to tie up — like letting his reporter girlfriend know that he’s leaving and ending his masquerade as Chinatown’s kingpin the Black Dragon.  Upon visiting Kung Fu Master Po’s dojo, however, he discovers the money he had stashed in a safe there has been stolen by a gang involved in a Chinatown drug war.  This is the money Logan planned to rebuild the school with.  (Yes, he has that kind of money.  He’s been around for like 200 years, you know?)

Needless to say, he’s pissed.

The pace of the issue is rather fast, feeling much shorter than it actually is.  It sets up a team-up with Gorilla Man, including some fun back-and-forth banter (not just with Gorilla Man, but with Po, as well), and introduces some elements of Chinese mysticism.  Ron Garney and Jason Keith’s art continues to fit the tone of the book well, whether Logan is slicing and dicing his way through a hail of gunfire or having a heart-to-heart with Melita.

That said, I’m not really sure how I feel about mythical elements and Wolverine being together.  I’ll be honest and admit it took me a few issues to wrap my head around “Wolverine Goes to Hell” last year.  This is only part one of the story arc, and a fun read regardless, so I’m willing to further suspend my disbelief to include those elements for the time being.

Story:  7/10
Art:  9/10 

[amazon_enhanced asin=”B005WX41AA” /] [amazon_enhanced asin=”0785156399″ /]


Review: X-Men Schism #5

  X-Men: Schism #5
Writer: Jason Aaron
Artist: Adam Kubert

The end has finally arrived!

Jason Aaron you have successfully, hands down and without a doubt written a brawl between Scott and Logan that’s never been recorded in history. Was the merit of the fight a bit childish? Sure! But, did it make for a great story? Why, yes it did.

Going into Schism, I was not quite expecting the story that was delivered. Sure, I was a bit mislead by the mini series “Prelude to Schism”, where it was depicted as if all the X-Men were on Utopia awaiting some coming onslaught, of what is assumed to be sentinels, to reign doom upon their heads and that there was little hope for survival. Which also, I might add, Wolverine and Cyclops were at the height of their friendship by mini series end. But I don’t blame Mr. Aaron for that; I blame Marvel for taking advantage of the hype surrounding Schism as a whole. But, either way, the mini series did contain some great characterization and we got to hear the voice of Professor X, as he’s been oddly absent for months.

Well, lets go back to the fight! Ohh, the fight. With the way Schism number four ended, at the beginning of this brutal battle, I was sure that issue five would conclude with: Cyclops taking Wolverine’s right hand and Logan  cutting out Cyclops’ left eye; thus bringing upon “The Age of Apocalypse”!?! Though that didn’t quite happen, Jason Aaron did not disappoint. I mean, take a look at the so conveniently placed image to your right. And that’s the first panel of page one!

But let it be known that this issue was not just one big brawl, it actually had a lot of character work throughout the X-Men members. And you better bet that Sentinel that was inching it’s way to Utopia surely went down with a bang. Adam Kubert is great at framing action scenes, which built momentum. Though his art this issue seemed a bit rushed. Some panels I could’ve sworn were artist Ron Garney, which has a sketch style where Adam has defined lines. I had high expectations for each artist due to the fact that they only had to contribute one issue. So, I was hoping for the best. But ultimately, Adam Kubert’s art was good and most importantly he caught all the emotional tension on panel.

Now I’d like to nit-pick here, for the reasoning behind this fight hasn’t quite mad sense to me. I’ll be getting a little spoil-ery here, only making reference to what Marvel has already released online, and previous “Schism” issues. First, why does Wolverine want to blow up Utopia? Does he not remember that Emma, Magneto and company are incapacitated within the island? Or, that there is a whole Atlantean civilization beneath the shores suspending Utopia? Apparently he doesn’t much care for the livelihood of those Atlantean kids. Which brings me to how Wolverine finds himself on this moral high ground to open a school for youngsters after all is said and done? Is this not a cold blooded killer of men we are talking about? One who can’t go six issues, within any of his various comics, without falling into some rage or mind control. Sure, he’s had young side kicks in the past, but all he’s ever done is brought them in harms way. So, i guess my question being, why was it that Wolverine was chosen to provoke this “schism”? I feel if it had been Iceman, one of the original X-Men alongside Cyclops, had made the stand instead of Wolverine, then there would have been a large emotional weight and it would’ve just settled better in my stomach.

But nonetheless, Jason Aaron wove a fantastic tale, and even created a re-imagined and memorable incarnation of one of the X-Men’s greatest foes, the Hellfire Club. I’m excited to see how this group further antagonizes our mutants within upcoming title, “Wolverine and the X-Men”. Which will be written by Jason Aaron and I am ecstatic that he will be taking on an X-Men team going into “Re-genesis”.  The future is looking bright for our merry mutants, so sit back and enjoy the ride.

Story: 9/10
Art:     8/10

Also, highly recommended this week:

X-23 #15 MARVEL
Animal Man #2 DC COMICS
Swamp Thing #2 DC COMICS – Reviewed by: Mike DeVivo. Check it out@ http://www.chicagocomicvault.com/2011/10/review-swamp-thing-2-animal-man-2/